Coffee Chats ☕ January 19, 2026


Guess what!

After nearly four months of daily work and literally hundreds of hours of review, outlining, and writing, the revision of my novel is done! Break out the champagne! Do some weird and embarrassing dance moves! Ugly cry a little! Finally I can say that I'm finished writing and move on to the next item on that silly little list I made like a year and a half ago, right? Right??

...right?

Right. Well, damn it.

I'm kidding, mostly. Obviously. We all know I'm very keenly aware of where I am in the process of "writing" (i.e., planning, plotting, outlining, drafting, revising, editing, etc.) this novel. For readers who don't want to zoom in on that tiny text, I'm at that top middle of the orange bit, right before "Rewrite again" and "Anxiety! Impostor Syndrome!". So, you know...still very much towards the beginning of the process.

Seriously—in this context, what does finishing even mean? Writing a book is Sisyphean. Masochistic. I push the big rock to the top of the hill, type the last sentence, and then let go and watch the rock roll all the way back down. Start again, from the beginning—and when I'm done, I go off to write another book. Roll another rock. Finishing doesn't matter, right? Right??

A digression: I finished the first draft of this novel in August of 2024. At the time I thought (and declared, very publicly, in this newsletter) that I'd be querying agents by the beginning of 2025. But weeks into the process of revising I realized—to quote one of my favorite bits—that "I don't know what any of this s#!$ is and I'm f@$#ing scared." I set off on a long, convoluted journey of reading, note taking, taking notes on my notes, outlining, and finally revising that took 16 months—four times my original estimate—because, again, I had no idea what I was doing (and, also, to be fair, because my life fell apart a little there in the middle).

A tangent to my digression: There's this quote from Ursula K. Le Guin in her story "Sur" that reads something like this: "[H]ousekeeping, the art of the infinite, is no game for amateurs." The story is brilliant, of course, and the quote fits best in the specific context of that story—but it's also a microcosm of much of her later thinking & writing & feminism (ideas probably best captured in essays like "The Carrier Bag Theory of Fiction" and "The Hand that Rocks the Cradle Writes the Book", which are chock full of nuance and wisdom). The point here, however, is that Le Guin gets at the idea that the infinite, repetitive, often thankless tasks like housekeeping—washing dishes, cooking, cleaning; tasks that must be done again and again and again—contain an inherent challenge, dignity, and value...and are, perhaps, better suited metaphors for the act of writing than what we typically see.

This brings me back around to my original question (finally!): Does finishing matter when something is never truly finished? Yes. Obviously. Cooking a delicious and nourishing meal for yourself and others is always gratifying. Cleaning house brings peace and contentment each time it’s done. Typing that last sentence on this draft felt just as good, if not better, than the first time.

So, yeah: there’s still a long way to go until I finish this novel, and I’ll do it all again on the next one—but I’ll continue to learn from and be proud of every milestone along the way.

PS – Sorry this is coming a day late! I hope y'all have a good Martin Luther King Jr. Day. Times are challenging right now; today is a good reminder to take care of yourself, spend time with loved ones, and to try to put some good into the world, if you can. I'm sending you peace and love, wherever you are!

☕ Project Curses

I should reset the progress bar to start tracking my editing progress—but I’ve got to give myself at least one edition of the newsletter with it filled, dammit. Hooray!

The next steps, as I’ve mentioned previously, are to complete a quick edit of the novel, send it off to beta readers, and then revise based off the feedback I receive. The first part of that is going surprisingly well—for the first time in the entire history of me setting unreasonable timelines for myself, I’m ahead of schedule. Beta readers, that means you can expect Part 1 of the manuscript a few days early!

Novel Progress Bar

% revised

♟️ Project Rift

Not too much to report on the new novel project, as I’ve been pretty heavily focused on Curses—but work here continues, little by little! It's very dark and weird and different from what I've been writing, which has honestly been nice.

Novel Progress Bar

% drafted

📚 Reading

Braiding Sweetgrass by Robin Wall Kimmerer | I think this is the third time I’ve read Braiding Sweetgrass, and each time I come away more aware of and grateful for the plants and animals and ecosystems around me. Robin Wall Kimmerer’s writing is subtle, persuasive, powerful and generous; starting my year off reading her words puts my head and my heart in the right place. Here’s a favorite quote from this time around:

"For all of us, becoming indigenous to a place means living as if your children’s future mattered, to take care of the land as if our lives, both material and spiritual, depended on it."

🎧 Listening

artist
The Pearl • Harold Budd, Bri...
Late October - 2005 Digital...
PREVIEW
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The Pearl by Harold Budd & Brian Eno | I know I’m 50 years late to appreciating Budd and Eno’s music, but...it’s really good, okay? I’ve been listening to a lot of ambient and minimalist music while editing, and The Pearl is an album I’ve returned to over and over again. Highly recommended for either deep focus or deep listening!

Gaia Banfi on KEXP | I don’t know much about Italian electronic artist Gaia Banfi’s music aside from that I was spellbound seeing it performed on KEXP. It’s beautiful and haunting in the best way. I’m going to be doing a deeper dive this week, but wanted to share!

🍿 Watching

Pluribus | This is less a recommendation and more a confirmation to everyone who’s told me to watch Pluribus that yes, I’m watching it, and yes, it’s fantastic. You can stop telling me to watch it now, okay???

George Saunders—one of my very favorite writers—recently sat down with the New York Times to discuss his receipt of a Lifetime Achievement Award from the National Book Association and his upcoming novel, Vigil, about an architect of climate change denial’s visitation from two spirits on his deathbed. Saunders is pleasantly down to earth and an incredibly generous writer and teacher—if you have time to read or watch the interview, I promise you’ll come away with some nugget of wisdom that you’ll cherish forever.

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